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Anxiety is a killer

Michael_Colb
14
chs / week
The average realized release rate over the past 30 days is 14 chs / week.
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Synopsis
Silence isn't just a preference for sixteen-year-old Elara; it’s a survival strategy. To the rest of the world, she is a girl defined by the sleek black noise-canceling headphones that never leave her ears. She has spent years perfecting the art of being "the girl who isn't there," filtering the world through a wall of white noise to keep her crippling anxiety at bay. The sanctuary of her isolation is shattered when a sudden change in her living situation forces her out of the shadows. No longer able to hide in the back of the room, Elara is thrust into high-stakes social circles and unpredictable new environments—crowded parties, intense group projects, and the suffocating intimacy of new "friendships." For someone who lives at a constant isolation , these aren't just social milestones; they are sensory assaults. As the the volume of her life cranks to a deafening level, the people around Elara begin to disappear.It starts with the "loud" ones—the girl whose laughter felt like glass shards in Elara’s ears, the boy whose constant tapping on his desk was a rhythmic torture. At first, the school assumes they are just runaways or victims of a local drifter. But as a pattern emerges, the mystery deepens: none of the victims were ever seen struggling. There were no screams. No signs of a fight. Just a sudden, perfect silence where a person used to be. As Elara is forced to navigate the complexities of being "seen" for the first time, she finds herself in a high-stakes game of cat and mouse with a world that won't stop screaming. The more she tries to fit in, the more the "static" in her head demands to be cleared.The local authorities are baffled by a killer who leaves no trace and seems to move like a ghost through the noisiest parts of town. But as the investigation narrows, the real mystery lies within Elara herself: Is she the one silencing the world to save her sanity, or is someone else using her fragile state as the perfect cover for a spree of crime. Elara must decide how far she is willing to go for a moment of peace. Because in her world, the only thing more dangerous than the noise is the person who knows how to turn it off.
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Chapter 1 - Chapter 2:the smell of burnt sugar

The silence of the "Cone" was a lie. Elara knew that. No matter how much money she spent on lithium-ion batteries and dual-feedback microphones, she could still hear the fire.

It wasn't a loud memory. It was low, a rhythmic whump-whump-whump of oxygen being sucked out of the hallway of her childhood home. It was the sound of the structural beams groaning like dying animals. And most of all, it was the sound of her mother's voice, muffled by a heavy oak door, telling Elara to stay in the closet and keep the wet towel against her face.

Twelve years.

It had been twelve years since the world turned orange and then went black. Twelve years since the firemen found a four-year-old girl curled behind a row of winter coats, her eyes wide and her voice completely gone. They said the smoke didn't damage her vocal cords, but the brain has its own way of sealing doors that it never intends to open again.

The New FrequencyTuesday morning at Central High felt different. The air was charged with a new kind of static.

Elara was leaning against her locker, the Sonys firmly in place, playing a track of "Brown Noise"—a deep, rumbling frequency that felt like being underwater. It was the only thing that could drown out the pre-bell chaos.

Then, the crowd parted.

It wasn't a sudden movement, but a slow ripple, like a stone dropped into a muddy pond. Elara looked up, her gaze shifting from the floor for a rare, dangerous second. And then She saw her.

Lia didn't just walk; she radiated. She was beautiful in a way that felt soft, like a blurred photograph—long, honey-blonde hair and eyes the color of a clear morning. She held a printed schedule, looking around with a gentle, curious tilt to her head.

She was the personification of a pure signal.

Lia's eyes scanned the hallway, skipping over the chaotic groups of seniors, until they landed on the girl in the oversized black hoodie hiding behind the giant headphones. Unlike the others, who looked through Elara, Lia looked at her.

Lia walked straight toward her.

Through the ANC, Elara saw Lia's lips move. The girl's expression wasn't mocking; it was genuinely kind. Elara froze.

Lia stepped into Elara's personal space, but she did it slowly, as if approaching a skittish bird. She didn't tap the headphones. Instead, she gave a small, apologetic wave.

"Hi," Lia's voice leaked through the microphones. It was melodic, a soft alto that the noise-canceling software struggled to categorize as "noise." "I'm so sorry to interrupt your music. I'm new, and I think I've turned the map upside down. Do you know where the Administration office is?"

Elara's throat turned to stone. The "Selective Mutism" wasn't a choice; it was a physical barrier, a wall of cold ash left over from the fire. She felt the words bubbling in her chest, but they died long before they reached her lips. She just stood there, a statue in a hoodie.

Lia's smile didn't fade. It changed. The bright "new girl" mask dropped, replaced by a look of soft, genuine concern. She saw Elara's white-knuckled grip on her backpack straps. She saw the way Elara's eyes darted toward the exit.

"Oh," Lia whispered, her voice dropping to a frequency that felt like a warm blanket. "It's okay. You don't have to talk if you don't want to. I get it. Sometimes the world is just... a lot, right?"

Elara blinked. No one had ever said that. Usually, they just got annoyed.

"Don't bother, Lia."

The voice came from Sarah, a girl who sat three rows behind Elara in English. Sarah stepped up, looking at Elara with a mix of boredom and irritation.

"That's Elara," Sarah said, not lowering her voice. "She's the school's resident ghost. She's an orphan from St. Jude's. She doesn't talk. Like, ever. My brother says she hasn't said a word since the fire that killed her parents when she was a kid."

Lia flinched as if Sarah had slapped her. She looked back at Elara, and her eyes filled with a sudden, devastating pity. It wasn't the "look-at-the-freak" pity Elara was used to; it was a deep, soulful ache.

"Sarah, that's horrible," Lia said softly, her voice trembling with a sweetness that felt sharper than any insult. "She's right here. You can't just talk about her like she's not a person."

Lia turned back to Elara. She reached out, stopping just before of touching Elara's arm. "I'm so sorry, Elara. Truly. I'm Lia. If you ever need something and don't know what to do ... you can find me, okay?"

As Lia walked away, pulled along by a persistent Sarah, Elara heard the tail end of their conversation through her "Ambient Sound" mode.

"She's so fragile," Lia whispered to herself , her voice a jagged edge of sympathy. "It's like she's made of glass. I just want to protect her. Can you imagine carrying all that silence ?"

Elara watched them disappear. The hallway returned to its usual blur, but the silence inside her head was gone. Lia's kindness had left a mark—a bright, shimmering stain.

Elara reached into her pocket and felt the cold, hard handle of the screwdriver.

She didn't hate Lia.

Lia was nice and surprisingly not so loud as the others. But Lia's pity was loud. It was a frequency that vibrated in Elara's marrow, reminding her of what she was: broken, fragile, glass. And glass, when it's pushed too hard, doesn't just break. It cuts.