The studio was used by Ruth Frazer and Moissanite, so it was designed to be very spacious and expansive, about the size of two classrooms.
Ruth Frazer pushed aside the scattered paint, brushes, and other clutter, and as the person behind her walked in, they were immediately drawn to the wall-to-wall paintings.
Especially the works by Moissanite, which were ancient and grand, full of the depth of human history and a mysterious aura. It was delightful to find many unreleased works here, including some unfinished paintings.
Visitors who knew a thing or two couldn't help but ask, seeing seven or eight paintings related to the Maurya Dynasty: "Are these Moissanite's new works? It seems his skill has improved quite a bit..."
Another person chimed in: "The use of color in these paintings is bold but not frivolous, and the artistic conception is thought-provoking. If exhibited, they would definitely stir heated discussions."
