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Sold To The Beast

Darby_Cress
21
chs / week
The average realized release rate over the past 30 days is 21 chs / week.
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Synopsis
My family sold me to a monster to settle their debts. The whole country knows the rumors. Nicholas Sterling is a hideous, reclusive beast who shuns the light, a man whose face was ruined in a fire and whose heart was twisted by cruelty. They say he buys beautiful things—especially women—just to break them. I was delivered to his cliffside manor with nothing but the clothes on my back and a heart full of dread, a sacrificial lamb to keep my sister alive. I expected a grotesque tyrant. I was not prepared for him. A man with the face of a fallen angel and the presence of a king. His eyes aren't cruel; they're haunted by a grief so deep it steals my breath. His touch isn't violent; it’s a question that terrifies me even more. He calls me his wife. He gives me the run of his castle. But he also watches me with an intensity that feels like possession. And the one rule he gives me is the most chilling of all: Never go into the west wing. But in a house built on lies, how can I resist? The truth is waiting behind that door. And it’s more beautiful, and more terrible, than any beast.
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Chapter 1 - The Inspection

(Ruby's POV)

The silk is cold, and the dark is absolute.

It's not the soft dark of a bedroom at night. It's a thick, swallowing black, the kind that presses against your eyelids and fills your mouth with the taste of your own fear. I'm lying on something unforgiving—a chaise lounge, maybe, covered in this icy, slippery fabric. I'm wearing nothing but the thin chemise they gave me. My skin pebbles, and not just from the chill.

Breathe, Ruby. Just breathe.

They told me not to speak. They told me not to move. They told me to be still and accept the inspection, like a piece of furniture he was considering for purchase.

Because that's what I am.

My fingernails dig into my own palms, a sharp, grounding pain. I focus on it, then I focus on her face. Mia. My sister's smile, weak but brave, from her hospital bed this morning. The way she squeezed my hand and whispered, "It's going to be okay, Ruby. You're saving me."

That's the only thought that keeps the scream locked in my throat. I'm saving her. I'm the ransom. I'm the traded commodity.

A floorboard creaks.

My heart tries to claw its way out of my chest. He's here. He's been here. I didn't hear him come in, but I feel the air shift, the temperature change. There's a new presence in the dark, vast and silent.

I stop breathing.

The rustle of fine fabric. The quiet shift of weight. He's moving, a slow, predatory circle around the chaise. I can't see him, but I can feel his gaze. It's a physical touch, sliding over my ankles, my knees, the line of my hip under the silk. I want to curl into a ball. I want to disappear.

I stare into the black until my eyes water, seeing only Mia's face.

A low sound breaks the silence. A hum, deep in his chest. It's not interested. It's bored.

"Open your eyes."

The voice. Oh, God, the voice. It's not the growl of a monster I was braced for. It's clean. Deep. Cultured. And utterly, terrifyingly empty. It's a voice used to being obeyed, a voice that has never had to raise itself to be heard.

My eyes are already open. I realize I'm squeezing them shut. I force my lids apart, staring into the same nothingness.

"They are open," I whisper. My own voice is a ragged thread, shamefully weak.

Another creak. He's closer. The scent of him reaches me—sandalwood and frost and something else, something metallic and clean, like the air after a lightning strike. It's a good scent. A rich man's scent. That somehow makes it worse.

"You're trembling."

I am. I can't stop it. A fine, constant vibration runs under my skin. I don't answer. I wasn't asked a question.

A long, quiet moment stretches. I hear the soft click of a tongue against teeth. Contempt.

"They always tremble," he murmurs, more to himself than to me. "The brave ones and the cowards. It all looks the same in the dark."

Something in me, some tiny, stubborn knot of pride, tightens. He's putting me in a category. A they. I am not they. I am Ruby. I am here for Mia.

But I don't say that. I bite the inside of my cheek until I taste blood.

His movement stops. He's standing right beside me. I can feel the heat of him, a solid wall of life in the chilled room. My body beteys me, leaning infinitesimally toward that warmth, even as my soul recoils.

Then, his hand.

It's warm. So warm. It lands flat on my bare stomach, right over my navel, where the silk chemise has ridden up.

The shock of it—the heat, the sheer intimacy of the touch—is a bolt of lightning. I jerk, a full-body flinch I can't suppress.

A low, humorless sound rumbles in the dark above me. Not a laugh. A correction.

"Still."

The command is soft. Absolute. His hand doesn't move. It rests there, heavy and real, branding me.

And I go still. Not because he told me to.

Because in that instant, with his hand on my skin, I understand the true horror. The beast isn't going to roar. He's going to be quiet, and clinical, and he's going to own every single, trembling part of me.

And the worst part?

His touch isn't cruel. It's just… assessing. Like a doctor. Or a butcher.

His palm slides upward, over my ribcage. His fingers are long. I can feel every one of them. They brush the underside of my breast, and I stop breathing again. My face is on fire. He pauses there, his thumb making a slow, maddening arc on my skin.

"Breathe, Miss Banks." His voice is closer now, right above me. "You'll pass out. And I require you conscious for this."

"For what?" The words slip out, a choked thing.

"For the evaluation of my purchase."

Purchase. The word is a slap. It makes it real. It makes me a thing. A hot tear escapes the corner of my eye, trailing into my hairline. I hope he doesn't see it in the dark.

His hand continues its journey, over my collarbone, up the column of my throat. His fingers settle just under my jaw, his thumb resting on the frantic pulse hammering there. He holds my lifebeat in his hand.

"Your heart is racing," he observes. "Are you afraid of me, or of this?"

I don't know what 'this' is. I'm afraid of everything. The dark. The silence. The warm hand on my throat. The future. I swallow, my throat moving against his palm.

"I… I don't know," I whisper honestly.

"Honesty," he says, and there's a flicker of something in his voice. Not warmth. Interest, maybe. "A rare currency. Let's see if it's consistent."

His thumb moves from my pulse to brush across my lower lip. The touch is startlingly gentle. My lips part on a shaky inhale.

"Say 'yes'," he says.

"Yes," I breathe immediately, the word feather-soft against his skin.

A beat of silence stretches between us, filled only by the sound of my ragged breathing. His thumb stills on my lip.

Then, his voice comes again, lower now, so close I can feel the whisper of his breath against my temple. It's different. The bored contempt is gone, replaced by something pensive, almost surprised.

"They underestimated you. A mistake I won't make."

Before I can process that, his hand leaves my face. I hear him step back. The loss of his touch is somehow as shocking as its arrival. The cold rushes back in.

"You may sit up."

I push myself up on trembling arms, clutching the thin silk to my chest. I can see the faintest outline of him now, a darker shadow in the dark, tall and broad-shouldered, standing by the door.

"The terms are simple," his shadow says. "You belong to me. You will live at Sterling Manor. You will not leave. You will not contact your family without my permission. In return, your sister receives the best care money can buy. Her debts are cleared. Your family's debts are cleared."

He states it like a business contract. Because it is.

"For how long?" My voice is a little stronger now. This is a negotiation. For Mia.

The shadow goes perfectly still. "Permanently."

The word hangs in the air, final as a coffin lid closing.

"I am not a patient man, Miss Banks. I am not a kind one. The rumors you've heard are… useful. You would do well to heed them. Life will be easier for you if you are quiet. If you are obedient. If you are invisible."

He turns, his hand on the doorknob. A sliver of light from the hallway outside cuts into the room, painting the edge of his profile in gold for a single, breathtaking second.

And in that second, I see him.

Not a beast. Not a monster.

A sharp, clean jawline. A slash of a mouth, set in a firm line. The proud arch of a nose. And the sweep of dark hair, perfectly styled. It's just a fragment, a sliver of a man, but it's enough to send a confusing, unwanted jolt through my system. He's… beautiful. In a cold, carved-marble kind of way. The kind of beauty that's a weapon.

Then the door opens fully, and the silhouette of a severe older woman appears.

"Mrs. MacLeod will see you to the car," he says, his voice once more that bored, empty tone. "You leave for the manor tonight."

He doesn't look back. He just walks into the light of the hallway, and the door closes behind him, plunging me back into darkness.

I'm left sitting on the cold silk, my skin burning where he touched me, my lips tingling, my heart a wild, trapped bird.

Mrs. MacLeod flicks on a lamp. The sudden light is blinding. She is all sharp angles and graying hair pinned tight. Her eyes, the color of flint, sweep over me, taking in my trembling form, my tear-streaked face, the chemise I'm desperately trying to use for cover.

"Get dressed," she says, her voice like rustling dry leaves. She nods to a simple navy dress folded on a chair. "Quickly. We have a flight to catch."

I move like an automaton. The dress is expensive, soft wool, and it fits perfectly. Of course it does. He would have had my measurements. The thought makes me sick.

As I follow Mrs. MacLeod out of the room, down a plush, silent hotel corridor, I feel the ghost of his hand on my stomach, on my throat, on my lip.

They underestimated you.

What did that mean? That I was stronger than I looked? Or that I was more trouble than I was worth?

We descend in a private elevator to a garage where a car with blacked-out windows idles, a silent beast of metal and money. Mrs. MacLeod opens the door for me. It's a courtesy that feels like a sentence.

I slide in. The leather seats are cold.

She gets in the front beside a silent driver. The locks click with a final, heavy sound.

As the car pulls out into the rainy London night, the city lights streaking past the darkened windows, I press my forehead to the cool glass. The tears come then, silent and hot.

I thought I was prepared. I thought I could be a martyr, a silent ghost in a monster's house. But I wasn't prepared for him. For that voice. For that touch that was more interrogation than violation. For that fleeting, devastating glimpse of a face that belonged in a magazine, not in a nightmare.

And I wasn't prepared for his last words, which echo in my skull, more chilling than any threat.

A mistake I won't make.

He sees me. Not just a body. Not just a payment. He sees me. And in this game where I am only supposed to be a pawn, that is the most terrifying thing of all.

The car speeds towards the private airfield, towards a jet that will take me to a cliff, to a castle, to a man who is not the beast I expected.

But a man is so much more dangerous than a monster.

Because a monster, you can hate.

A man… a man like that, you can start to wonder about. And wondering is the first step off a very, very high cliff.