As you can see, Gilgamesh was completely obliterated by Ananke. I guess it was inevitable. But something tells me that it is not the last time we will see him. After all, this was just a remnant from the original one. The thing is, there is a supreme God that created Gilgamesh. And also this version of Gilgamesh is not the secondary version of what the original was: it actually took down multiversal gods.
The thing is, Ananke is a unique God that no one can find in the most extensive field of existence. As for why, it takes more than a man to fight a lion to fall in the trap of love. At least, it's no issue for those who can fight for what it's worth fighting for. Ananke had been given the miracle of her life— a real baby, not the creation of the universe like in the myth.
Ananke: My greatest pleasure is to dwell on the mystery of being a mother for it's my greatest desire. Indeed, I don't actually hanker after lust, but rather I love the way my husband loved me. Initially, I thought it would be just a fantasy because of how weak I was. Now, I know that I was wrong. Not only was I wrong, but I did not get the intentions of my husband. I should have never doubted him. Why? Because he is my only love. You may give them your love, but not your thoughts,
for they have their own thoughts.
You may house their bodies but not their souls,
for their souls dwell in the house of to-morrow,
which you cannot visit,
not even in your dreams that I could hold in his arms for he controls my only cravings in this world. That is why I can have thoughts about. For him, it not may be as intense as it is for me.
As she said this, she got to see an holographic video where she would see Karl, taking a look at Old Persian. but Gilgamesh, once dead, joined the gods of the underworld to help run the place. That did not mean that he could not dream. On the contrary, it got ahead of the main population of any god that you could ever imagine. both in Greece and Mesopotamia deities associated with birth and fertility are also patrons of mining, smelting, and coppersmith's craft, because they create new forms from basic materials.
As far as the distant earth extends
𐎹𐏁 𐎠𐎺𐎠 𐎭𐎢𐎼𐎡𐎹𐎠 𐎠𐎭𐎼𐏁𐎠 𐎲𐎢𐎶𐎡𐎹𐎠 𐎱𐎫𐎡𐏁 𐎠𐎢𐎠
That said, he would actually observe the foundations of the epic with great curiosity coupled with some trascriptions that he would take seriously. In Gilgamesh the Flood story is reused out of its original context, to mark the time in history after which it was no longer possible for a mortal to win immortality. That acutally made the epic more accurate than other people may actually think with narrations over all the earth so they could actually take over the main place of life for the greatness of life.
"I was its king once, a long time ago, when the great gods decided to send the Flood. Five gods decided, and they took an oath to keep the plan secret: Anu their father, the counselor Enlil, Ninurta the gods' chamberlain, and Ennugi the sheriff. Ea also, the cleverest of the gods, had taken the oath, but I heard him whisper the secret to the reed fence around my house. 'Reed fence, reed fence, listen to my words. King of Shuruppak, quickly, quickly tear down your house and build a great ship, leave your possessions, save your life. The ship must be square, so that its length equals its width. Build a roof over it, just as the Great Deep is covered by the earth. Then gather and take aboard the ship examples of every living creature."
This actually shocked Karl. This talked about the most powerful human king that he had ever heard of, holding the second place to Christ. After all, he would tell himself with jealous love that there was nothing more perfect than Christ.
Karl: the purpose of Gilgamesh's life got ahead of himself. It outlasted the sumerian God, but at the same it immortalized them along with him. There would be no catastrophe without the gods. Are the gods wrong? I don't see it that way. There's a teleological foundation for the epic of Gilgamesh. At least, it is not rooted in suffering, but rather reaching the self-realization that there's more to life than immortality. That for me is imperative to understand. It is no fluff— it's what started the Gilgamesh project. There is another thing that I could actually affirm The mighty cultural heroes and kings who fabricated the megamachine and performed these tasks, from Gilgamesh and Imhotep to Sargon and Alexander the Great, roused their contemporaries from a sluggish passive acceptance of cramped, 'natural limits': they called upon them to 'plan the impossible.' And when the work was done, that which had seemed impossible of human performance had, in fact, been realized. From around 3,500 B.C. on, nothing that men could imagine seemed to lie entirely beyond the reach of royal power. That is why these heroes have been forgotten long lost in the past for it was not useful, nor profitable for anyone that would love get money.