Climbing out of the dungeon for the first time was strangely quiet. No fanfare. No dramatic emergence from a pit of hell. Just a bone-and-moss puppet walking up a sloped tunnel into the night.
The forest greeted me with air that wasn't filtered through fungus or humidity regulation. Real air. It had layers: moisture, the metallic scent of a recent storm, decaying leaves, and the faint sweetness of certain blooming plants that had no business thriving in a place this dark.
The puppet didn't feel wind as sensation, but I translated the pressure changes and temperature shifts into something I could interpret. The world above was louder than I expected. Crickets screamed at each other. Branches creaked. Something small skittered across leaves, probably thinking it was being quiet.
I stepped further.
Roots curled around rocks like veins around bone. Some trees were massive—grown fat on centuries of unbothered sunlight. Others were thin and bent, leaning toward nonexistent light sources as if confused.
This wasn't the kingdom of men.
It was the kingdom of things that kill without payment plans.
Good.
At the puppet's feet, the underbrush shifted. A shadowcat, lean and hungry, crouched low. The corpse I found earlier had been just the appetizer.
Its pupils widened when it saw me, confused by what I looked like.
Good. Confusion delays aggression.
It circled.
It tensed.
Then it lunged.
I caught it midair by the skull and twisted.
Clean, quiet, efficient.
This sort of simplicity is what the surface excels at. Down below, everything thinks in layers. Up here, everything thinks in teeth. Refreshing.
I slung the corpse over the puppet's shoulder and continued exploring. There were other scents: fox, boar, something herbal that suggested a druid or herbalist had passed through recently, and… metal. Faint. Far.
Humans.
Close enough to smell, which meant close enough to worry.
I didn't approach. Not yet. Caution is the difference between a dungeon that thrives and a dungeon that becomes a story fathers tell their children to justify xenophobia.
Instead, I noted the direction and withdrew. My dungeon needed strengthening before I allowed anything with rational thought to come within a mile.
But before descending, I knelt beside a patch of thick moss growing along a rotting stump. Mana flowed oddly there—like the stump was absorbing more than its share. A natural mana-conductive plant. Useful.
I scraped a clump of moss into the puppet's hand. It dissolved into the puppet's skin, storing the pattern. I could seed this inside the dungeon later.
When I reached the entrance again, dawn approached. The world's light crept in pale and judgmental, as if asking why I dared join it.
I ignored the judgment.
I dragged the corpse inside.
Work awaited.
