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Chapter 64 - Belonging

The celebration did not end with the dance.

When Anna and Kehnu returned to the fire, hand in hand, the circle widened to receive them. There was no cheering, no shouting. Instead, the drums changed rhythm—slower, deeper—and the singing softened into something warm and steady, like a shared breath.

Someone placed more wood on the fire. Another brought food forward. The feast became a union without ceremony, without vows, but rich with meaning.

An elder stepped closer and touched their joined hands briefly, then nodded. That was all.

People came forward one by one. A woven band placed around their wrists. A shared bowl passed between them. A blessing spoken in low voices, each slightly different but carrying the same message: you are seen, you are welcome, you are together.

Anna felt it settle inside her—not excitement, not fear—but a quiet sense of alignment, as if her life had finally stepped into the right rhythm.

Kehnu stayed close, never gripping, never pulling her ahead. Just present. Just there.

That night, the rain returned lightly, tapping the roofs as if acknowledging the choice.

The morning began with laughter.

Anna woke to soft voices outside the hut. When she stepped out, the women were already waiting, baskets in their hands. Flowers spilled over the edges—bright, wild blooms gathered from the edges of forest and field, still fresh with dew.

They guided her gently to a clearing warmed by early sun. Without hurry, they wove blossoms into her hair, tucked petals behind her ears, braided stems into cords that rested across her shoulders. The shell necklace remained, now framed by color and scent.

"You are of us now," one woman said simply.

Nearby, the men gathered around Kehnu. There were firm grips to his shoulders, nods of approval, quiet words spoken with respect. No teasing. No tests. Only acknowledgment.

He met Anna's eyes across the space and smiled—this time openly.

Kate watched it all with wide curiosity, then ran off again with the other children, already certain of her place among them.

Soon, the decorations were left to fade naturally, petals falling where they would. There was work to do.

The village returned to its rhythm.

Groups formed naturally—some heading toward the shore to check traps, others toward the forest for roots, fruit, and medicinal plants. Anna joined the women, her hands familiar now with baskets and fibers. The loom waited under its shelter, palm threads ready for the next length of cloth.

As she walked, basket resting against her hip, she realized something important had shifted.

She was no longer a guest.

No longer someone surviving alongside them.

She was woven into the daily work, the shared responsibility, the future planning. Her union with Kehnu was not an ending—it was a beginning, tied to the land, the people, and the quiet promise of staying.

The rain clouds lingered on the horizon, but they no longer felt like a threat.

They were simply part of life.

And Anna, at last, belonged.

The village had found its rhythm, not just in work, but in the sound of life itself. Drums beat softly on the edge of the clearing, children laughed as they ran between huts, and birds called from the canopy above. Anna watched the scene from her basket of reeds and fibers, a small smile tugging at her lips.

"We need a place," she said to Kehnu, who was repairing a net nearby. "A proper place to make instruments. Not just drums, but bells, flutes, everything we can imagine. Somewhere everyone can work together, without the mud and rain getting in the way."

Kehnu tilted his head, studying her. "You want a workshop for music?"

"Yes," she said, her eyes bright. "Not just for us, but for the tribe. We can craft, experiment… and eventually, celebrate. Music will be our mark."

Mike appeared with a bundle of cut bamboo. "I can build the frame," he said. "Wood and vines, strong enough for a roof. We can raise it near the clearing, close to the fire."

Together, they chose a shaded spot on slightly higher ground. The hut took shape over several days: bamboo walls, a thatched roof of woven palm leaves, and a raised platform to keep materials dry. Inside, they placed worktables made from split logs and stone hammers for shaping bells and carving wood.

Anna brought in materials for instruments she had gathered: hollowed gourds, dried shells, reeds, thin bamboo tubes, and smooth stones. The women helped string shells on cords, carve grooves into bamboo, and shape gourds into resonant drums. Mike demonstrated a small hammer for shaping shells, while Kehnu tested early flutes and shaking bells made from seeds.

Children were fascinated. They gathered at the doorway, watching hands carefully tie cords and carve openings. A few brave ones tried a drum or clapped stones together, producing small, uneven notes that made everyone laugh.

By the third day, the first instruments were ready. The hut was alive with sound:

Drums of different sizes, some hollowed gourds, some split logs.

Bells made of shells, seeds, and small stones.

Flutes carved from bamboo, tuned roughly but sweetly.

Shakers of all kinds, woven from reeds and tied with cords.

Anna tested a simple rhythm on a drum, tapping slowly at first, then faster. The others joined in—Kehnu on a flute, Mike on a large gourd drum, women shaking bells, children striking stones. The sound rolled through the clearing, wild and untamed, yet unmistakably theirs.

One of the elder women stepped inside, listening carefully. She nodded, smiling. "This is good. Music will guide the tribe, mark our celebrations, and honor the earth."

Anna's chest swelled with quiet pride. It was more than play—it was culture in creation, something that would outlast storms, hunger, and fear. Here, in the middle of the jungle, the tribe had a voice of its own.

As the sun dipped low, the instruments were stored carefully in the hut. They would play again tomorrow, louder, longer, and more confidently. Music had found a home—and with it, the heart of the village beat a little stronger.

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