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Chapter 3 - ACT 2: THE DANCE OF LOVING.

From Eyes to Echoes

(Scene opens in the Baobab Grove, dusk. Lanterns sway. The CHORUS hums a slow love melody. MUHIBBA and ZAINAB sit on a mat, peeling kola and sharing thoughts. Nearby, THOMPSON leans against a tree, pen in hand.)

ZAINAB:

You've been dancing in silence all day.

Yet your eyes hum louder than flutes.

MUHIBBA (smiling):

Love is no loudmouth.

It sits like spice inside soup—quiet,

until the tongue discovers fire.

THOMPSON (calling):

Fire burns, remember?

That's why scholars take love as a footnote

not the thesis!

MUHIBBA:

Ah, but it's the footnote that explains the whole argument.

(They laugh. Enter IBRAHIM, carrying a basket of guavas.)

IBRAHIM (to MUHIBBA):

I heard you liked the soft ones.

I only plucked those that blushed when touched.

MUHIBBA:

You speak to fruit like a lover.

IBRAHIM:

I learn from watching you.

(They sit under the baobab, just the two. Quiet. Then softly...)

IBRAHIM:

Tell me the shape of your laughter.

Not the sound—

but how it dances in your chest.

MUHIBBA:

Like a calabash floating on river stories.

Sometimes gentle, sometimes overrun.

IBRAHIM:

Will you let me float with you?

In this story?

Not as a hero—

but as the riverbank that listens.

(Pause. The CHORUS begins a soft chant.)

Chorus (singing):

To love is not to claim but cradle.

To touch without taking.

To whisper without swallowing silence.

MUHIBBA (placing a kola in his palm):

This is the token of my affection.

Not because it is bitter—

but because we sweeten it together.

(Enter FATIMA and SHARIFA, observing from afar.)

FATIMA (to SHARIFA):

Look at them—practicing poetry instead of protocol.

SHARIFA:

You call it poetry. I call it danger.

Our family does not inherit softness.

FATIMA:

Then perhaps it's time we did.

(Lights dim except on the couple. IBRAHIM rises and recites.)

IBRAHIM:

Let me love you like seasons love the soil:

never hurrying, always returning.

Not with the bribe of roses,

but with the patience of millet.

(MUHIBBA, emotional, stands beside him.)

MUHIBBA:

Then I return this dowry in kind:

Not in cattle, not in gold,

but in story, skin, and stargazing.

I love you—

Not to possess,

but to pass on.

(They touch foreheads. Lanterns brighten. CHORUS sways and sings.)

Chorus:

The dowry was never goats or cloth.

It was the vow unsaid, the gaze held long.

Let this love rewrite the law of inheritance.

(Blackout. End of Act Two.)

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