Luckily—and Gale always loved when stories started with "luckily," because it meant the next part was probably barely lucky and mostly insane—Florencio and Aurora had managed to flee with their savings intact.
No small feat, considering the chaos of midnight escapes, crying infants, and a certain someone's tendency to sneeze whenever he got nervous (which was always).
They left behind their house, their neighbors, the flower bed that hated his sinuses, and all the stability they'd fought tooth and nail to build. But they weren't empty-handed. They had just enough to try again, somewhere else, far away from the long shadow of Aurora's father and his Very Punchable Noble Face™.
But something gnawed at Florencio.
As they reached safe harbor in a new village—one with warm weather, a decent bakery, and zero armed goons—Florencio couldn't shake the question chewing on the back of his mind like a rat on dry bread:
Was this it? Was this the life he wanted for Aurora and Alma? To live in constant fear, always watching the road, always ready to run at a moment's notice?
No. Hell no.
He wasn't going to drag Aurora and their daughter through this forever. If they had to live on the run every time Señor Pompous Wig got angry, then what was the point of building anything? If this whole mess was because Aurora's father refused to acknowledge him—as a man, as a husband, as family—then he had only one option left.
He'd make him.
Earn his respect, force it out of him, beat it into his thick aristocratic skull if he had to. And if that wasn't noble enough? Well, screw nobility.
Florencio would forge something better: a legacy. One that even Aurora's father couldn't ignore, no matter how deep he buried his head in caviar and denial.
Florencio didn't leave on a whim. He argued with Aurora. A lot. She begged him not to go. She reminded him they were happy. That they had each other. That Alma needed her father.
And he wanted to stay—God, he wanted to stay—but in the deepest part of his heart, he knew this wasn't sustainable. It wasn't just about survival anymore.
It was about honor.
It was about giving his daughter a name that meant something other than "guy your grandpa wants to stab."
And so, he left.
He stole a small sloop under the cover of fog—something humble, seaworthy, and not entirely falling apart. Before setting sail, he penned two letters. The first, he left for Aurora: a promise, a vow, and more apologies than he could count.
The second... he delivered himself.
To her father.
It was bold, dramatic, and exactly the kind of dumb, brilliant move that defined Florencio's entire love story.
In the letter, he told the old man where Aurora and Alma were. Not because he was giving them up—but because he trusted him. Because, for all his rage and snobbery, the man was still a father. Still a grandfather.
And Florencio knew, deep down, that no matter how much the man hated him, he wouldn't hurt them. He couldn't. They were his blood, and the old bastard wasn't that heartless.
Florencio signed the letter with a flourish and a declaration:
"From this day forward, I will be known as Florencio De La Rosa."
Yep. He took the name. Bold move, considering that was basically asking for a bounty to be slapped on his face by the very man who bore it.
But he meant it. He wasn't stealing the name—he was claiming it. And he promised he wouldn't return until he made that name famous, respected, undeniable across the world. Until even Aurora's father would have no choice but to look him in the eye and say, "Yes, that's my son-in-law. No, you may not arrest him."
The note was probably received with a lot of furious cursing, wine glass shattering, and maybe an attempted punch thrown at a poor butler.
But Florencio didn't care.
He left knowing that with him gone, there was only one man left that Aurora and Alma could rely on.
The old man.
And whether he liked it or not, Florencio had just made him the guardian of the two most precious people in his world.
...
The years passed like waves against the hull of Florencio's ship—sometimes calm, sometimes violent, but always moving forward. And Florencio De La Rosa, former street rat, hopeless romantic, and self-declared gentleman, carved his way through the Grand Line with a rapier in one hand and a dream burning in his chest.
He wasn't aiming for riches.
Not fame.
Not power.
What he wanted was recognition. To become a name worthy of his wife, worthy of his daughter. Worthy enough that when he walked back into that gilded estate with the crooked gates and judgmental roses, Aurora's father would be forced—through gritted teeth and pride-stained silence—to say, "He did it."
And so Florencio traveled. He fought pirates, bounty hunters, revolutionary scoundrels, and once, a talking frog in a waistcoat who challenged him to a duel for stepping on his lily pad. (That one was oddly philosophical. The frog had depth.)
He crossed swords with mercenaries on flaming ships, outwitted smugglers hiding in underwater caves, and even survived a dinner party with a Warlord of the Sea—which, frankly, may have been the most dangerous of all.
Somewhere along the way, his name started appearing on bounty posters. "The Rose Duelist." "The Crimson Plume." "That Dramatic Idiot Who Shouts Poetry Mid-Fight." Take your pick.
The journey had been anything but easy. There were months of hunger. Storms that cracked masts like twigs. Nights spent patching wounds in the dark, wondering if his daughter was growing up without remembering his face. But he kept going, each step another letter in the name he was trying to write into history.
And just when it seemed like he was reaching the peak—just when rumors whispered that he was planning to challenge Whitebeard himself—his body betrayed him.
It started small. A sharp pain in his ribs after a sparring session. A stiffness in his hands that didn't go away. Then the fatigue. Deep, marrow-heavy exhaustion that no sleep could cure.
At first, he ignored it. Pirates didn't care if you were tired. Sea Kings didn't give time-outs for mystery aches. He pushed through like always… until one day, his legs simply gave out beneath him.
He visited doctor after doctor. Island clinics, back-alley miracle men, a weird goat with a medical license (don't ask). None of them could name the illness. All of them said the same thing: "It will kill you. Not today. Not tomorrow. But it will."
And maybe the worst part? It was slow. Creeping. The kind of sickness that waits.
They told him that as long as he didn't strain himself, didn't push too hard, didn't fight, he might live to see Alma's wedding. See his grandkids. Grow old beside Aurora, grumbling about taxes and pruning roses with a hand that still trembled.
But that will never happen with Aurora's father hounding them.
Florencio didn't just want to survive. He wanted to matter. To walk into the ring with the world's strongest man and say, "I'm here. I exist. Remember my name."
And if Whitebeard crushed him like a bug? If the fight shaved twenty years off his life or ended it altogether? Then so be it. As long as he gave it everything. As long as the world watched.
"Better to burn bright than to fade," he told one of the doctors with a smile too calm for a dying man. "And besides—what good is long life if you're a forgotten nobody in the corner of the world?"
It wasn't about pride anymore. It was about legacy. It was about making sure Alma could one day say, "My father fought Whitebeard and lived." Or even, "My father tried."
He set his course.
No more hiding. No more waiting. The time had come.
And eventually… he found him.
Whitebeard.
The man who split seas with a swing of his arm. The man whose very breath seemed to rumble like tectonic plates shifting. Towering like a fortress of muscle and legend, with a crescent mustache that somehow managed to be both majestic and deeply intimidating.
Most people with half a brain cell would've turned right around. Florencio? He bowed. Then he drew his sword.
The duel began like a thunderclap. Florencio moved like a crimson blur, cape fluttering, blade gleaming, his rose-shaped brooch catching the sunlight—because of course he wore one.
The onlookers thought he was suicidal. Whitebeard thought he was entertaining. The old monster wasn't just humoring him—he was enjoying himself. Laughing. Testing. Not in a cruel way, but with a strange, fatherly warmth, like a grizzly bear sparring with a very determined cub.
And it lasted hours.
Not because Florencio was Whitebeard's equal—he wasn't. Not with the sickness creeping through his veins like cold ink, sapping his strength, tightening his breath.
Maybe, just maybe, if he'd been at his peak… but life didn't work like that. No, the fight dragged on because Florencio simply refused to fall. Every time Whitebeard knocked him down, he stood up again, swaying on his feet, eyes burning with something stronger than pride.
Desperation. Love. Duty. The kind of fire that made even monsters pause.
Whitebeard eventually chuckled, low and rumbly like distant thunder, and said something along the lines of, "You've got guts, brat." Florencio responded by landing a single blow—just one.
A shallow cut across the old man's chest. But it was enough. Enough to prove he belonged in the same story, even if only as a footnote.
And that's when Whitebeard ended it. A single strike. A quake in the air. Florencio hit the ground like a puppet with cut strings.
When he came to, the sun had shifted. His bones ached like a shipwreck. The crew was gone. Whitebeard was gone.
All that remained was a local fisherman with big eyes and a bigger grin, who relayed the message: "The old man said you were someone with something to protect. He didn't invite you aboard 'cause he figured you had a home already. But if you ever lose that home... find him."
Florencio didn't cry. He just lay there for a while, staring at the sky, his hand resting over the bruise on his chest like it was something sacred. Then he smiled—small and content.
The strongest man in the world had acknowledged him. The world knew his name. That should be enough. That should be more than enough.
He thought about Aurora. About Alma, probably a teenager by now. He thought about the old man back on the island, stern and silver-haired, maybe still pruning those judgmental roses. Now would be the time. He had a name. He had the scars to prove it.
So he returned home.
The voyage back was slower. The seas seemed quieter, though that might've just been him. His bones creaked louder than the ship's mast. His illness had worsened, crawling deeper with every nautical mile.
But there was hope—finally. He could see the end of the story, and it was a good one. A reunion. A peace. Maybe even, if he was lucky, forgiveness.
But life, of course, doesn't care about your dramatic timing.
When the island finally came into view, something was wrong. The horizon was scorched. The skies over the hill were gray with ash. His heart sank before the anchor hit the water.
The De La Rosa estate was gone. Burned to the foundation. Charred stone, shattered gates, blackened thorns where the rose garden once bloomed. Not even rubble—just ruin.
And the townsfolk, hesitant and hollow-eyed, gave him the answer with nothing more than a look.
No survivors.
No survivors.
Florencio stood there for hours. Days, maybe. People offered him food, shelter, words that tried to be comforting but landed like wet ash. He didn't speak.
He didn't move. Just stared at the place where his world used to be.
...
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