"This is the Miracle Director's first foray into the thriller, suspense, and crime genres and, frankly, no one understood what he was trying to express in the film. Yet, there's suspense everywhere, connections everywhere. Adrian didn't just pick up what he had once lost; he kept deepening it, making people feel uneasy while still wanting to pursue further," —— Le Figaro
"It is a film that requires the abandonment of one's ego, composed of countless fragments. Adrian wanted to use his once brilliantly successful multiple narrative technique to snag another Palme d'Or for himself. But it seems he hadn't used it for too long and went overboard in the end, resulting in a piece that feels incredibly boring," —— The Guardian
"It's hard to believe that this film is full of low-intelligence, disjointed trash segments. Looking for logic? Sorry, you've come to the wrong place. It seems the Miracle Director's luster might fade because of this," —— The New York Times
