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House of Dragons: Im Ulf the White

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Shot dead in modern Baltimore, MMA fighter Marcus Cole awakens in the body of Ulf the White, a drunken Targaryen bastard living in King's Landing's filthy Flea Bottom. The year is 112 AC, years before the Dance of the Dragons. Ulf is cursed with a body weakened by alcohol and neglect , but blessed with two unique, latent abilities originating from the One Piece world that require intensive training to unlock: Kilo Kilo no Mi (Weight Manipulation): Ulf can shift his mass from being incredibly light, granting him enhanced speed, to being incredibly heavy (up to thousands of kilograms), allowing for devastating strikes and defense. Rokushiki (Six Styles): A formidable martial arts system that pushes the human body beyond its limits, giving him access to specific techniques: Soru (Shave): High-speed movement by kicking the ground ten times in an instant. Tekkai (Iron Body): Hardening muscles to iron density for defense. Rankyaku (Tempest Kick): Launching compressed air blades from a kick. Shigan (Finger Pistol): Thrusting a finger to pierce flesh like a bullet. Geppo (Moon Step): Kicking the air to achieve flight/vertical movement. Kami-e (Paper Arts): Making the body loose and flexible to evade attacks. Refusing to be another footnote, Ulf begins brutal conditioning and systematic self-injury to develop adaptive resistance against poison and fire. His only goal: to prevent the horrific fate of Princess Helaena Targaryen. Winning a melee and catching the eye of high lords , Ulf maneuvers into the Red Keep, eliminating the assassins Blood and Cheese before they can strike.
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The Unwanted Prince of Prussia

Content Notice!!!! This is an alternate-history work featuring reincarnation and supernatural elements. It deals extensively with geopolitics, warfare, religion, ethnicity, imperial power, and morally complex decisions. The narrative portrays real-world inspired historical tensions and uncomfortable subjects without simplification. It is intended for mature readers interested in political strategy, historical speculation, and philosophical conflict. Not recommended for those seeking light entertainment. Although at the beginning there will be comedy, and even slight Romance. And there will be Family Building. --- Reborn as the Iron Prince In his first life, Zhang Ge was no hero. A former child performer turned engineer and logistics analyst, he understood war not as glory—but as systems, supply chains, and men dying because someone miscalculated fuel. Then he died. When he opens his eyes again, he is no longer in the 21st century. He awakens in imperial Germany — inside the body of Prince Oskar of Prussia, fifth son of Kaiser Wilhelm II. The year is 1904. Europe stands balanced on a knife’s edge. The Great War is ten years away. And this time… he remembers everything. Armed with knowledge of future catastrophes — trench warfare, naval blockades, industrial slaughter — Oskar refuses to become another ornamental royal. Instead, he begins reshaping the empire from within: Modernizing industry before rivals awaken. Reforming logistics before generals understand their weakness. Building dreadnoughts that rival Britain’s fleet. Forging elite forces that fight with tomorrow’s doctrine. Investing in technology decades ahead of its time. But power attracts enemies. Within the palace, jealous princes whisper. Within the army, old men resist reform. Across Europe, empires grow uneasy at Germany’s sudden acceleration. And in the shadows, forces that do not fly flags begin to move. Oskar does not dream of conquest. He dreams of survival. Yet the stronger he makes Germany, the closer the world drifts toward the very war he is trying to prevent. Can one reincarnated strategist alter the course of history — or will he simply forge a stronger empire for an even greater storm? --- Disclaimer This work is a speculative alternate-history fiction in which a modern man is reborn as Prince Oskar of Prussia and attempts to reshape early 20th-century Europe. While inspired by real historical figures and events, all characterizations, timelines, and outcomes are fictional and should not be interpreted as accurate representations of historical reality.
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